The Voice – Thomas
Hardy
Background
‘The Voice’ is one
of the extraordinary group of poems written by Hardy between
1912 and 1913
after the death of his first wife, Emma. It is well documented that
their marriage,
especially in later years, was not a happy one. Nevertheless, her
death was a real
shock to Hardy. He had not anticipated it and may well have felt
guilty about the
lack of care he showed when she first became ill. He wrote: 'I wrote
just after Emma
died, when I looked back at her as she had originally been, and
when I felt
miserable lest I had not treated her considerately in later life. However, I
shall publish them
as the only amends I can make.’ He also wrote in a letter: ‘In spite
of the differences
between us, which it would be affectation to deny, & certain painful
delusions she
suffered from at times, my life is intensely sad without her.’ In his
bereavement, he
often pictured Emma as she was in earlier years.
The poem is
written using the second person, addressing the deceased woman
herself. Much of
the impact of the poem derives from its metrical complexity and its
extended rhyming
system. At this level, students are not expected to be able to do a
sophisticated
analysis of this, nor to know the technical vocabulary to describe it,
unless, of course,
they are able and ready to face the challenge. However, they
should be able to
respond to the way the rhythms communicate and define the poet's
changing emotions.
Stanza 1: The
syntax is quite convoluted but the sense clear, that is that the dead
woman is trying to
tell the poet that she is now like she was when they first met and
they were in love,
rather than the person she had become in later years.
Stanza 2: While
the poem mostly concentrates on the woman’s voice, we see here a
poignant attempt
at conjuring up from his memory a visual image of his wife, in a
specific locality
associated with his earlier deep feelings for her.
Line 11: wistlessness:
a coinage by Hardy. The word ‘wistful’ is common enough.
Its primary
meaning is ‘closely attentive’. So probably, the word ‘wistlessness’
suggests a ‘fading
away’.
Line 13: Thus I:
introduces an image of the poet’s state of mind as his brief vision of
his wife fades.
Line 15: thorn:
any bush with thorns, or perhaps, in this context, many bushes like
brambles. There is
no need to be specific; it is a metaphor for his state of mind.
from norward: from a northerly
direction
No hay comentarios:
Publicar un comentario