In this poem, the persona describes a country school that
seems to be in a somewhat dilapidated condition. The vivid image drawn by the
alliterative phrase 'Paint all peeled' supports the fact that the school is
indeed deteriorating. With the phrase 'tufts topping', one is able to picture a
country school architect with pinus tufts on it 'roof ridge', establishing an
image of a typical country school. Through the usage of colloquial language,
the vivid images seem to hold a lot of details, for instance the word 'dunny'
evolves a picture of the local Australian toilets enlightening the audience to
the smallest of details. Furthermore, 'Girls squeal skipping' conjures up an
auditory image as the little kids play around.
Several kinds of sound effect helps describe what the
persona is going through. The fluid 'r' sounds in rank, and roof-ridge help
integrate the ideas, linking them and helping form a wider image of the country
school. Also the 'b' sounds in 'bargeboard, weatherboard and gibbet belfry'
calls attention to the detailed observation again helping in building up the
vivid image.
Allen
Curnow has employed parallelism as well as repetition in order to draw links in
this poem. The parallel comparison of 'How small; how sad', draws a link with
how the persona seems to be recalling his days back in school. The passing of
time and his aging is revealed for the very doors that seemed huge as a kid now
seems to be described as being rather 'small'. The persona refers to himself as
a third person and this is deduced through the repetition of the word 'you'.
Perhaps the persona had a tough time reconnecting with his old school that he
felt more comfortable referring himself as a third person.
Having a look at the poem specifically, the first stanza could be a parallel to the
educational experience Allen Curnow had. By putting these words into his poem
he is able to associate his experience with that of the reader’s possible
experience of school.
In the
second stanza, his memory, however, is rippled with more imagery throughout the
stanza. Perhaps Curnow is trying to emphasise the importance of our senses when
it comes to creating a memory. That by visiting this old school, this old
memory- the images around him that were once remembered through the sense of
hearing, are now being remembered through the sense of sight. In the third
stanza Curnow makes comparisons between the three main images in this poem…
You, Pinus, and the School. In doing this he is able to portray the theme
of time. The Pinus which lives “less than the life of a man”, you as “the man”,
and the school which was there before you were and was there after you left. The most
important line in this stanza however is “Together your lives began.” This
line suggests an end which makes it personal and emotional to the reader. Curnow puts
into perspective that our lives begin with education/schooling in some form.
Either in the form of a classic schoolhouse education or in the form of a
“mature” figurehead. Perhaps Curnow is trying to put across that Pinus
could stand for this “mature” figurehead and that throughout life the roll of
teacher will change, e.g. nun, mother, lecturer and so on. However this
“sapling” made its appearance in your life as soon as your educating of the
world began, and as you grew in knowledge so did its influence on you, or
people’s influence on you. The last
stanza seems to group all the imagery and mood created in the precious stanzas,
into established themes. Leaving the reader wondering in reflection of their
own experiences with education.
Lucía Neira & Martina Cervi
Lucía Neira & Martina Cervi
Source: http://www.markedbyteachers.com/as-and-a-level/english/poetry-analysis-of-country-school-allen-curnow.html
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